TAB #4

It's not good news.
As much as I wanted to include the PSP and Beaterator in this process I'm afraid it was just not meant to be. The problem is that Beaterator is fantastic at what it does but it requires time and a little dedication to make a track. It's just in its nature that you tweak as you go along. It's made be a whole process and therefore fairly deep in places. What I need right now is a unit that will help me get my ideas down fast but with the ability to tweak later. That unit is the QY100. I have the option to tweak the life out of the QY once the basics are complete and to tweak still further on the RM1x.
While I've been getting into track building on both units I've got to know them quite well. The QY is what I need for building ideas quickly and the PSP should be a constant companion in my shoulder bag for building tracks on a slow burn basis.
So it's on with the project and a track restart. I'll also have to find some time to finish the new track I started in Beaterator.
Two projects, twice the fun.

TAB #3

It's been a night of experimentation.
Sometimes I need to mess about with kit to get a better idea of what is possible. It also helps me to be better acquainted with my hardware. Tonight has been one of those nights. Because of the way the QY handles MIDI I needed to have a play with setting up voices and rhythms. The conclusion I have arrived at is that I need to get a working MIDI file off the PSP to see what it does inside the QY. If it works the same way as the Chordbot MIDI file I may have to eliminate that bit of kit from the process which would be a shame. Having said that, the more I play with the QY the more I get enticed to start writing the track on that. It's a great little machine and the temptation to complete the track using that and then MIDI overdub sounds from the RM1x into the Tascam is almost overwhelming.
At some point over the weekend I'll do a little file transfer and make a decision.
Everything could change.

TAB #2

This is my chord choice.
I will be moving these into Beaterator and working on an arrangement. This might take a while because even though I have the chords I am writing a track from scratch. The move to my PSP is for two reasons. Firstly I've used and like using Beaterator. Secondly the PSP is a mobile platform so I can take my composition with me. That's going to be an essential property because the process of writing the song is going to take a while.
If you want to use the chords and start your own track (using the same chords but not structure) you can download the .mid file that Chordbot produced. You'll find the link below.

Chordbot MIDI file.

Track Anatomy Blog (TAB #1)

Part One
Inspiration

Every song needs some form of inspiration. You need to start somewhere, you need an idea of or from something.
I took my inspiration from my favourite composer Debussy. I like his composition 'La Mer' so I decided to use the same key C#. This was a good starting place but I wanted a little variation. I consulted an iPhone app called Scales & Modes. I picked the Dorian mode because although it is one of the major modes it is considered minor because of the flattened 3rd.
I still wanted to tweak so I opened an app called Octavian and dialled in a C#m Dorian scale. This gives me the following notes:
C# D# E F# G# A# B
I'll let you work out the chords but the ones I am going to use will only use these notes.
The next stage is to create a chord structure upon which I will create a track.

Next: Chord Structure

Step By Step

I've decided on a new work flow.
Although it sounds like an overly complex way of making music it means that I will get maximum enjoyment out of the various bits of music tech that I own. So here goes, my new approach.
1. I'll use iPhone apps including my newly purchased Octavian to choose a key and a mode for the new track.
2. Writing in key I'll use Chordbot to structure my chord sequence and email out the resulting MIDI file.
3. Import the file into Beaterator on the PS3 and build a complete track and export another MIDI file.
4. Import that file into the QY100 and assign Yamaha XG voices and export an XG MIDI file.
5. Import the XG file into the RM1x and assign different voices and play with parameters to get a finished track.
6. Record this track onto my Tascam 4 track and add other live instruments via processing with the QY100 or the Pod XT Live.
7. Mix to digital from the Tascam to the Zoom H4 and import the wav file into my DAW for mastering.
So that's it. I'm going to post each stage and any MIDI files I create on this blog so that you can build a track in parallel if you want to. This is going to be the anatomy of a track and you're welcome to join in.
I hope you will.